Italian Painter, ca.1459-1517 Italian painter. He belonged to the generation between Giovanni Bellini and Giorgione and was one of the leading painters of early Renaissance Venice. His major works, several of which are signed, are almost all church altarpieces, usually depicting the Virgin and Child enthroned with saints; he also produced a large number of smaller half-length Madonnas. His autograph paintings are executed with great sensitivity and consummate craftsmanship. Fundamental to his artistic formation was the style that Bellini had evolved by the 1470s and 1480s; other important influences were Antonello da Messina and Alvise Vivarini. Although Cima was always capable of modest innovation, his style did not undergo any radical alteration during a career of some 30 years, and his response to the growing taste for Giorgionesque works from the early 16th century remained superficial. He seems to have maintained a sizeable workshop,   Related Paintings of CIMA da Conegliano :. | The Incredulity of St. Thomas with St. Magno Vescovo fg | Coronation of the Virgin | St. Jerome in the wilderness | Incredulity of St Thomas with Bishop Magno | The Madonna and Child with St John the Baptist and Mary Magdalen dfg |
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John Melhuish Strudwick
1849-1937 British John Melhuish Strudwick Gallery
Emil Nolde
German Expressionist Painter, 1867-1956.German painter, watercolourist and printmaker. He was one of the strongest and most independent of the German Expressionists. Nolde belonged to the Dresden-based group known as DIE BR?CKE from 1906 to 1907. Primarily a colourist, he is best known for his paintings in oil, his watercolours and his graphic work. His art was deeply influenced by the stark natural beauty of his north German homeland, and alongside numerous landscapes, seascapes and flower paintings, Nolde also produced works with religious and imaginary subjects.
Emile Jean Horace Vernet
French, 1789-1863,Painter, son of Carle Vernet. He was born in his father's lodgings at the Palais du Louvre, where his grandfather Joseph Vernet also lived; his maternal grandfather was Jean-Michel Moreau. To these antecedents and influences are ascribed the supreme ease of his public career, his almost incredible facility and his fecundity. His early training in his father's studio was supplemented by formal academic training with Francois-Andre Vincent until 1810, when he competed unsuccessfully for the Prix de Rome. He first exhibited at the Salon in 1812. In 1814 Vernet received the Legion d'honneur for the part he played in the defence of Paris, which he commemorated in the Clichy Gate: The Defence of Paris, 30 March 1814.